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Abstract collage featuring elements from different eras: antique landscape etching, vintage botanical collages and original abstract painting elements.
Burnt orange and deep poppy red pull immediately against a dark, almost-black navy at the heart of the flowers, while a warm peach-blush softens the lower bloom and olive and acid green brushstrokes cut loose at the top of the composition – the overall mood is wild and slightly theatrical, nostalgic and alive at once. That warmth in the palette means the print sits beautifully against walls in terracotta, warm cream, or a deep tobacco brown, each of which echoes the orange-red thread running through the piece; for contrast, a muted sage or dusty teal draws out the dark navy centres without competing with the flowers. Rooms that suit it best are a living room with some history to it, a study lined with books, or a dining room that can take a bit of drama – hung at eye level above a console or sideboard, the trailing stems and scattered seed pods give the composition natural downward movement that rewards that kind of placement. The print belongs to the Brushstrokes & Botanicals collection, a series of abstract collages that fuse antique landscape etchings, vintage botanical fragments, and original painted gestures into something that feels, as the artist puts it, like "a time machine navigating a dreamlike world." It pairs well with other prints from the collection for a gallery wall, and it would make a considered gift for anyone drawn to art that sits somewhere between the archive and the studio.
Printed with archival pigment inks on Enhanced Matte art paper – a smooth, gallery-grade stock with a soft, glare-free surface – the finish reads as genuinely museum-grade without any of the clinical sheen that can flatten botanical colour. The matte surface works equally well inside a slim natural-oak frame or something more ornate and gilded, since there is no reflective competition from the paper itself. At A4 (21 × 29.7 cm) the print tucks neatly onto a shelf or slips into a gallery arrangement; at A3 (29.7 × 42 cm) it holds its own as a standalone piece above a desk or in a narrow hallway; at A2 (42 × 59.4 cm) it has enough scale to anchor a wall above a sofa or dining table, where the full reach of the trailing stems can properly unfold. This print is also available as a 28 × 40 inch (70 × 100 cm) canvas, ready to hang with no frame needed.






