Highland Coo Matte Art Print


Choose Your Print Size

If you’re like: ”…but, but that’s a naked cat not a hairy cow. I don’t get it”…..that’s ok you don’t need to, move along.

But if you’re like “*snortlaugh* look at it’s face!”. This is for you.

Call it and avantgarde take on deep-seated Scottish stereotypes.

Warm biscuit, dusty rose, olive green, pale sage and soft amber – these are the colours that give this print its quietly offbeat character, a palette pulled between earthy warmth and cool Scottish hillside. That warm biscuit and amber centre, taken straight from the hairless cat’s wrinkled, golden-eyed face, means the print settles happily against walls in terracotta, warm ochre or a deep burnt clay, colours that share its underlying red-orange warmth and draw the whole composition forward. For a cooler, tonal harmony, the olive and sage of the Scottish landscape in the background call for walls in muted sage green or a soft slate-grey with a green undertone – shades that echo the hills without competing with the cat’s magnetic stare. The print suits interiors that lean into humour and personality: think eclectic maximalist rooms, contemporary gallery-style spaces, retro-kitsch schemes, or the kind of relaxed, slightly irreverent Scandi-meets-vintage style that pairs mismatched frames with bold character prints. Hang it in a kitchen, a home study, or a hallway where it can stop people in their tracks. Part of the Cat Cafe collection – a gathering of feline prints that, as the artist puts it, just keep appearing because they rule the internet and whatever else they feel like ruling – it pairs naturally with other prints from the collection for a gallery wall that earns its own double-take. Cat lovers, the chronically online, and anyone who appreciates a joke delivered with a straight face will find it a very satisfying gift.

The print is produced with archival pigment inks on Enhanced Matte art paper, a smooth gallery-grade stock with a soft, glare-free surface that sits in the museum-grade tier for paper quality; the lack of sheen means it reads clearly from every angle and suits both slim modern clip frames and more ornate vintage mouldings without glare becoming a problem. Available in A4 (21 × 29.7 cm), A3 (29.7 × 42 cm), A2 (42 × 59.4 cm), A1 (59.4 × 84.1 cm) and A0 (84.1 × 118.9 cm), the smaller sizes tuck well onto shelves or into a gallery-wall arrangement, the mid sizes – A2 and A1 – carry enough presence to hold a wall above a desk or console table on their own, and the A0 is large enough to anchor an entire room end. This print is also available as a 28 × 40 inch (70 × 100 cm) canvas print, ready to hang with no frame needed.