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There’s a new cola in town. It’s Pesti Cola, every critter’s and wee beastie’s favourite. Our pigeon pal goes in for the sugar free Pesti Max, while mince prefer the vintage full sugar flavour. Mixes well with pickle or garbage juice,too!
If those pests tickle your fancy, then there are more to be found in International Pestsellers.
Kitsch Kanaveral: A frilly deep dive into nostalgia where technicolour dreamscapes blend into rainbow hued reminders of childhood dreams and flavours.
Burnt orange and warm terracotta dominate this print, backed by a hazy peachy-amber ground that fills the scene with a dry, late-afternoon heat. Against that warmth, a dusty cobalt blue sits in the lower half – not a sharp or electric blue, but something muted and flat, like faded denim left out in the sun. A cool grey pigeon and a creamy mid-brown rat complete the cast, lending an earthy, slightly grotty charm that is entirely the point. On the wall, the print works beautifully against a deep terracotta or a warm brick-red, which pulls the dominant amber tones forward into an analogous, enveloping scheme. For a cooler contrast, a soft slate or dusty steel-blue – an analogue of that faded denim in the lower half – lets the orange palette pop without fighting it. Warm white or pale oat walls let the print speak for itself while keeping the temperature consistent with the image’s inherent warmth. This is unmistakably kitsch, retro, and pop-art adjacent in spirit, and genuinely suits maximalist, eclectic, and mid-century modern interiors – as well as the sort of playful, graphic-led aesthetic that decorators sometimes call New York loft. It belongs in a kitchen, a bar cart corner, or a downstairs loo where personality is everything. The print is part of the Kitsch Kanaveral collection – a small but spirited series of technicolour dreamscapes that, in the artist’s own words, open a window to another lovely dreamy world – and it pairs naturally with other prints from that collection for a gallery wall. An unapologetic gift for anyone who treats their home as a cabinet of curiosities.
Hahnemühle Photo Rag® is the paper used here: a museum-grade, 100% cotton sheet printed with archival pigment inks, with a subtle felt texture that gives the surface a quiet depth without any shine. The matte, glare-free finish means it reads clearly under both natural light and artificial lighting, and the lack of reflective surface makes it equally comfortable in a slim oak or black metal frame as it does behind an ornate plaster or vintage gilt moulding. At A4 and A3, the print slips neatly onto a shelf or into a gallery wall arrangement where its deadpan humour rewards a close look. A2 and A1 give the composition room to breathe and make confident statement pieces above a kitchen counter or bar shelving. At A0 – 84.1 by 118.9 centimetres – the print becomes a full room anchor, the pigeon and rat rendered large enough to hold a conversation with across the room. This print is also available as a 28×40 inch (70×100 cm) canvas, ready to hang with no frame needed.
