Choose Your Print Size
One can be knowledgable about a myriad of subjects, and have superior intelligence.
One can be especially good at paying attention and observing the world.
One can be physically fit and healthy.
One can also enjoy life.
One can drink Gin.
One can smile.
We here like Sherlock Holmes – after all, we are based in Edinburgh, where Sherlock was created. We also like gin- a lot.
This print lives in a palette of deep blue-black, slate grey-green, and cool sage – with the ghostly outline of a martini glass catching a thin sliver of near-white against that brooding dark mass. The mood is quietly cinematic: sharp, nocturnal, a little dry-witted. Those cool undertones mean it sits beautifully against walls in soft sage, dusty grey-green, or a deep slate blue – all tonal neighbours of the print’s own hues that let the silhouette emerge without competing with it. For contrast, a warm charcoal or even a deep inky navy wall plays against the lighter sage ground and gives the composition real drama. If your walls are neutral, lean towards pale grey or off-white with a cool, slightly blue undertone rather than a creamy warm one – the print will read crisply and the sage background will glow. Style-wise, this is a natural fit for art deco interiors, mid-century modern spaces, eclectic maximalist schemes, and the kind of lived-in gentleman’s study aesthetic that takes its cocktails seriously. It belongs in a home bar, a study, or a sitting room where the drinks cabinet has its own corner and good taste is taken lightly. Part of the Boozehound collection – a lineup of prints for people who know their botanicals from their bitters – it pairs confidently with other prints from the range for a gallery wall that earns its own second glance. It makes a sharp gift for the gin enthusiast, the detective fiction devotee, or anyone whose bookshelves hold more Conan Doyle than they’d care to admit.
Printed on Enhanced Matte art paper using archival pigment inks, this is a smooth, gallery-grade stock with a soft, glare-free surface – what you’d call museum-grade without the velvet rope. That flat finish works equally well in a slim black or natural oak frame and flatters more ornate vintage mouldings without the distracting reflections a glossy surface would throw. At A4 the print tucks neatly onto a shelf or fills a gap in a gallery wall arrangement; A3 holds its own above a drinks tray or bedside table; A2 becomes a proper statement piece on a chimney breast or behind a bar cart; and the A1 has the scale to anchor a full wall in a larger room, the silhouette commanding attention from across the space. This print is also available as a ready-to-hang canvas print measuring 28×40 inches (70×100 cm), requiring no frame.
