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Ladybug, Ladybird, Lady beetle…..this tiny creature with many names lives all over the world, keeping gardens pest free. There are over 5000 different species with all sorts of colour combinations and patterns. Most known are the red and spotted ones though. Just as the tiny beetle can have a big impact on the environment, a tiny bit of lipstick red can have a big impact on the wearer’s mood
The ADimals series takes its inspiration from playful mid-century style advertising posters. Taking you back to a time when photography was rarely used in advertising and companies took a more humorous and artistically illustrated approach to showcase their products and services.
Warm coral-red, dusty blush pink, sandy nude beige, deep black and a flash of bright cherry sit at the heart of this playful poster-style print – a palette that reads as unambiguously warm-toned throughout. Walls in a soft terracotta or a warm off-white with a peachy undertone will sit in easy analogous harmony with those blush and coral hues, while a deeper burnt-sienna or rich clay shade gives the nude beige of the lipstick tube something to quietly echo against. If the room calls for more contrast, a muted sage or dusty olive pulls against the red without jarring it, since the warm yellow-greens in those shades are the natural complement to the print’s dominant coral-red. This is a print that would look at home in a maximalist, retro-inspired space or a playful mid-century modern interior, and it sits just as comfortably in a pop-art or contemporary illustration-led scheme. A bathroom vanity wall, a dressing room, or the shelf above a make-up table are all natural placements – the ladybug’s glossy wingcases and the lipstick’s bright slanted tip carry just enough wit to make a small, personal space feel considered rather than curated. Part of the ADimals collection, which marries the animal kingdom with everyday objects in a spirit of affectionate humour, it pairs beautifully with other prints from the range for a gallery wall that tells a coherent story. It would make a thoughtful gift for anyone with an eye for design, a love of nature’s smaller creatures, or a well-stocked dressing table.
The print is made with archival pigment inks on Hahnemühle Photo Rag®, a museum-grade cotton paper whose subtle felt texture and completely matte, glare-free surface give the warm coral and blush tones a soft, almost velvety presence on the wall. That non-reflective finish works equally well with a slim brushed-metal frame and with an ornate gilded or natural-wood moulding, making it easy to fit into whichever scheme you already have. An A4 (21 × 29.7 cm) or A3 (29.7 × 42 cm) print sits neatly on a shelf, a mantelpiece, or within a gallery arrangement; an A2 (42 × 59 cm) holds its own as a standalone piece above a dressing table or beside a bathroom mirror; and the larger A1 (59.4 × 84.1 cm) and A0 (84.1 × 118.9 cm) sizes carry enough visual weight to anchor a full wall, letting the ladybug’s detail and the poster’s bold typography read from across the room. This print is also available as a 28 × 40 inch (70 × 100 cm) canvas, ready to hang with no frame needed.
