Choose Your Print Size
Right in the middle of Princes Street stands a giant black gothic monument dedicated to the writer Sir Walter Scott. The largest monument dedicated to a writer in the world. This is part of a series of original illustrations featuring well (and sometimes lesser) known Edinburgh streets and monuments.
The Scott Monument rises through this print in a palette of cool mint-green sky, soft sage and moss from the surrounding trees and grass, warm stone-grey and charcoal in the monument’s carved Gothic stonework, and deep ink-black in its shadowed arches – with the cream-white of steps and balustrade lending a quiet lightness throughout. Because the dominant hues are cool and green-leaning, walls in pale eucalyptus, warm white with a green undertone, or soft sage sit in easy analogous harmony with the print’s own tones; for those who want contrast, a deep slate-blue or a muted teal makes the charcoal linework and the luminous sky sing without fighting the composition. Cool-toned neutrals – a light stone-grey or a chalky off-white – keep the print’s temperature honest and let the ink-drawn detail read clearly. The mood is precise and contemplative, which makes it a natural fit for a study, a hallway, or a sitting room where architecture and craft are already part of the conversation; it also works beautifully in a bedroom where the cool, composed palette lends calm. Stylistically, it suits Georgian and Victorian interiors, architectural or travel-themed schemes, Scandi-influenced spaces that value considered line-drawing, and eclectic maximalist rooms where framed art is layered and curated. This print belongs to the Essential Edinburgh collection – art of the places we adore, made in Edinburgh for anyone who has left a piece of heart here, from the Forth Bridge to Arthur’s Seat – and pairs naturally with other prints from the collection for a considered gallery wall. It makes a thoughtful gift for anyone with an Edinburgh connection.
Printed using archival pigment inks on Enhanced Matte art paper – a smooth, gallery-grade stock with a soft, glare-free surface – the finish reads as museum-grade quality in person, with no reflective glare to interrupt the fine pen-line detail at any angle. The matte surface sits happily behind both slim modern clip frames and ornate vintage mouldings, making it genuinely versatile across interior styles. At A4 (21 × 29.7 cm) or A3 (29.7 × 42 cm), the print works on a shelf, a desk, or as part of a grouped gallery wall; at A2 (42 × 59.4 cm) it becomes a confident statement piece above a console or fireplace; at A1 (59.4 × 84.1 cm) the spire’s height and the architectural detail really come into their own on a generous wall, and at A0 (84.1 × 118.9 cm) the print anchors a room entirely, the Gothic stonework commanding the kind of space it deserves. This print is also available as a 28 × 40 inch (70 × 100 cm) canvas print, ready to hang with no frame needed.
