Choose Your Print Size
Arthur Conan Doyle author of the Sherlock Holmes novels famously came from Edinbrugh basing his character losely on an Edinburgh surgeon named Dr. Joseph Bell who he studied with. This is part of a series of original illustrations featuring well (and sometimes lesser) known Edinburgh streets and monuments.
This ink-drawn print lives in a palette of cool charcoal, deep blue-black line work, mid-tone stone grey, soft warm white paper, and those sharp hits of dark crimson red – a combination that reads as brooding, cinematic, and distinctly Northern. Because the dominant hues are cool-leaning neutrals with a graphite undertone, walls in slate grey, soft blue-grey, or deep charcoal create a tonal, almost monochromatic scheme that draws the eye straight into the composition’s drama. The crimson accents are strong enough to carry a bolder contrast pairing: a muted brick red or dusty terracotta wall will echo those flashes without overwhelming the cool ink tones. For a lighter room, off-white with a cool rather than yellow undertone keeps the paper’s warmth from clashing. This print suits interiors that commit to a point of view – think noir-inflected Masculine Modern, layered Literary Eclectic, a moody Industrial scheme with raw plaster and steel, or a traditional Scottish study where dark wood and leather already set the tone. It belongs in a home office, a reading room, or a hallway that sets the mood for the whole house; hang it at eye level where the figure in the foreground commands the space. Part of the Essential Edinburgh collection – art of the places we adore, made in Edinburgh for anyone who’s left a piece of heart here – it pairs naturally with other prints from the collection for a gallery wall of cobbles, gulls, and city skyline. A considered gift for a Holmes devotee, an Edinburgh exile, or anyone who prefers their art with atmosphere.
Printed with archival pigment inks on Enhanced Matte art paper – a smooth, gallery-grade stock with a soft, glare-free surface – this is a museum-grade print that rewards close inspection without any distracting reflection. The matte finish works equally well in a slim black or dark metal frame for a contemporary hang, or behind a heavier ornate moulding for something more Victorian in spirit. At A4 (21 × 29.7 cm) it sits confidently on a bookshelf or anchors a corner of a gallery wall alongside other Edinburgh prints; at A3 (29.7 × 42 cm) it earns its own wall space and becomes a proper statement piece in a study or hallway. This print is also available as a ready-to-hang canvas at 28 × 40 inches (70 × 100 cm), requiring no frame.
